Series of stencil works dealing with toxicity and hazard in
nature;
TOP IMAGES ::: FOSSIL ::: 1972
Lincoln Continental; stencils. Approx. 19x 7 feet.
The
1972 Lincoln Continental was one of the largest coupes produced.
At 19 feet long and nearly 3 tons in weight, it came off the production
line just as the US energy crisis hit. It is an icon of folly and
excess, an almost Baroque expression of the machine aesthetic and
the consumer age. It is an image of anti-nature. Nevertheless, it
has a certain 70's disco sexyness. The
vehicle was stenciled with images of toxic plants and animals found
in the Colony's copy of the Encyclopedia Brittanica. The regal colour
scheme chosen suggests an Empirical purpose; the images adorning
it suggest hazard and death. (Thanks
to the Omi workshop manager Jeb for allowing me to redecorate his
car!)
CENTRE IMAGES ::: SURVIVAL SUIT ::: LEFT: Tyvac
suit; acrylic stencils and gumboots; 1950 x 1750 x 300 mm. RIGHT: Converse
High-Tops; aerosol stencil
This work consisted of images of Poison Ivy and the Deer
Tick (carrier of the debilitating lime disease) stenciled onto a
'protective' tyvac suit. The suit was used in a short performance
and then hung in a grove of trees smothered in poison ivy vines. Images
of the Deer Tick were stenciled
onto converse high tops as part of this "survival suit".
BOTTOM IMAGES; LEFT::: KINGDOM ::: Acrylic
and Aerosol on linen;125 x 125 cm (Private Collection, Melbourne) RIGHT: ::: UNTITLED ::: Acrylic
and Aerosol on linen; 125 x 125 cm
A series of monoprints and works on canvas were also executed replicating the same imagery; left within a poison ivy leaf; right as a network or ecology
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